In 1982, Leipzig painter and filmmaker Lutz Dammbeck began creating his "Hercules" works. The script for an experimental film was submitted to Dresden Film Studio f ü r Trickfilm, but was firmly rejected in 1984. Dammbeck envisioned several new versions as room installations. "Hercules Media Collage" combines performance art, painting, dance (Fine Kwiatkowski), film ("La Sarraz"), and photography; It developed a fable for his generation's thirst for sensory experience: the "wayward child" in Grimm's fairy tales replaced the historical hero, who was quoted by Dambek in the images of ancient Hercules and Arnold Blake sculptures. This complex has brought the broken relationship between Germans and their undigested past to the present. This performance was held in Deshaus, Koswig, and East Berlin in the former German Democratic Republic. Only a fragment remains.